ECCE HOMO

ANTWERP, 2007-2008
The images are supposed to summon up recognition within the viewer. Not the original work, nor the changes are primarily important. The characters are the main centre of attention. Every image is recognizable, but placed out of context. Ecce Homo is not in any way an exercise in recognition. The public has to make up its own stories.
Ecce Homo had its premiere at Galeria Pauza in Krakow, Poland and has traveled to Edelman NYC and Art Miami after.

SETTLED FOR NOTHING NOW

ANTWERP, 2004
a thematic and cinematic exploration of the basic natural elements—earth, wind, fire and water.
Intrigued by the interplay of the elements with the human psyche, I envisioned a minimal series with poetic expression. Immersing four isolated boys in the midst of abandoned urban landscapes, each photograph serves as a canvas for their intimate connection with these elements.

HOTEL SUITE #.

ANTWERP, 2007
Yves' intimate series employ a cinematic approach —a collection of isolated scenes for films yet to be made. These visual narratives purposefully withhold the storyline, beckoning both the model and the viewer to engage their imaginations.